Research fields:
Drama Theory, history of Western theatres
Research themes:
Modern transformations in Western theatrical performance
Main books and papers:
◆Shakespeare in Toyo-o Iwata: In Regard to the Context of Hamlet directed by Tsuneari Fukuda (1955) (“Comparative theatre review” 9 (1), 2020).
◆“Nisen juhachi nen matsu ni furui nihon no sheikusupia wo tanoshimu: Masuda Tarokaja saku ‘shin osero’ to tsubouchi Shoyo yaku ‘makubesu’” (Enjoying old Japanese Shakespeare at the end of 2018: New Othello by Masuda Tarokaja and Macbeth translated by Tsubouchi Shoyo) (“Theatre arts.” (63), 2019)
◆Body Read in Bunroku Shishi (Toyo’o Iwata)’s Novel: Unstable Sexuality in Ghost Story of Youth (1954) (“Comparative theatre review” 17 (1), 2018).
◆“Meiji daigaku Sheikusupia purojekuto! Netto! Midsummer Nightmare” (Meiji University Shakespeare Project! Passionate Struggle! Midsummer Nightmare) (Joint authorship, Meiji University Press, 2017)